Phila Primus (1991) uses the formal methods of collage in her works, some of which are of quite large formats, and through specific segmentation, she symptomatically and remarkably structures the visual fields of her individual works. She can reconcile rather different scales and perspectives, thus letting each work feature different levels of being and their intersections, vistas and links. The multi-layered nature of her images irresistibly expands towards plasticity.